Thursday, March 31, 2022

Fanatics

Fanatics



Bob Tibbitts, vocals and guitar, Derek McConkey, bass, Steve Buckley lead guitar,  Roger Mann lead guitar) Jeff Wilson (Original drummer) Iain MacDonald as vocalist when Bob Tibbitts left and they became The New Fanatics and at this stage Steve Buckley and Derek McConkey left the band to be replaced by John Duggan bass and Ted Duggan drums.

John Morley - Manager

The line up changed, following several name changes including The New Fanatics, Purple Haze, Sabina, Rogation Sunday, Acorn



Memories from Bob Tibbitts (From Rex Brough site)


" I have always been full of music since my piano lessons, I played a trumpet and an E-flat bass in the school brass band (led by Mr Pepper, non-the-less). Well . . . to the point. I started a band at around the '64-'65 period called The Fanatics. We played a lot in the north side of Coventry and into Bedworth and Nuneaton. Pubs and social clubs. Mainly covers of Kinks, Yardbirds, Animals and Beatles but some of my own numbers which usually involved a type of feedback freakout. (It was the beginnings of psych then, mod music slowly morphing into psych). I remember contemporaries of ours were The Flamingos and Susy's Boyfriends. Our manager, John Morley, I believe has since passed on. When I left the band (trouble with losing my voice, we advertised for a lead singer then and we got a chap who I forget his name) the others went on to become Purple Haze with the new lead singer and then later The Drops Of Brandy, I believe they played around Brum for a while. The only recording was at the Grapes Pub on the Radford Road and this has been lost. I really enjoyed those days. Never to be replaced."


Bob Tibbitts and Iain McDonald have recently added some comments.. he explores the development of this group through several follow on groups.

THE FANATICS Here is a brief history of The Fanatics. My band from the sixties! It all started in a garage (yes, really). There was me, my friend, and a girl that lived in the entry (that is a place at the back of houses where the garage usually sits). She didn't actually live in the entry, by the way. Music all began when my dad bought me an acoustic guitar for my 14th birthday. I taught myself how to play listening to the Kinks, Yardbirds, Animals, Beatles and the like. I was already musically inclined as I was taught classical piano by an old lady in our street (playing an incorrect note garnered a stroke across the back of the hand with a knitting needle!). I also played the trumpet and e-flat bass in a brass band. My friend had a plastic guitar. This I broke while trying to tune it. He then bought a 'proper' one. The 'entry girl' was Susan, a very tall-for-her-age girlfriend (I was required to stand on a house brick in order to kiss her!) accompanied our attempts at singing Peggy Sue and other standards using a baby's plastic rattle! Then one day 'electricity' entered our lives and my friend acquired a bass guitar. We knew a kid who thought he was Hank Marvin and he had a real Fender! His dad had a van and all we needed was a drummer Ð Sue couldn't quite 'make it' on the rattle! I bought a Japanese guitar (I think it was an Arbiter or something like that). This I played through a box that had an electric tremolo which was always ON. We practised. The 'Hank Marvin' kid (I recall his name as Gerald Mann) left the group and his dad and van went as well. We acquired a new lead guitar attached to a chap called Steve Buckley. He was the guy who looks like Bert Weedon on the right of the photo. Derek McConkey on bass (at the back of the photo), Geoff Wilson on the drums and myself, were by now playing in pubs and clubs on the north side of Coventry and in Bedworth and Nuneaton. Our manager (John Morley) came with a bigger van and a drum kit that our drummer utilised quite niftily! We played a lot of Kinks, Beatles, Yardbirds and Animals numbers plus a few that I wrote. I used to sing 'The House of the Rising Sun' with passion. I was told I did it well!! One bar staff lady at a club commented that she couldn't understand how I could reach the low notes like Eric Burdon (Animals) being that I was such a 'skinny runt'! We did make a reel-to-reel tape recording at The Grapes pub at the time but that has long since turned to dust. My lingering memories involve me always trying to play louder than the lead (much to his disgust) and flicking the two pickup switches on the guitar on and off (a la Pete Townshend), while inducing howling, morse-code feedback while we did one of our own numbers. (A sort of 'Yardbirds' freakout based on the chord D). Psychedelia was just being born. I also remember during one experimental frenzy, our bass player forcing his bass signal through a tower of small radio speakers, just to relish the sight of the cones popping out and distorting! The photo shows us at the New Inn pub in Longford, Coventry, sometime in 1965/66. We used to play a weekend - Friday night, Saturday night, Sunday lunch and Sunday night for about £25 between us all. Not a lot and most of the monies went on paying back loans on our equipment. The chap on the left of the pic was a guest. He used to show up at our gigs and sang with us. He worked in a circus as I remember. He performed acrobatics up and down the floor in front of the stage while we played. Great times. Sometimes there were fights on the floor, (The Navigation Pub was one particularly nasty one) but we just played on. Blood on my shirt and bits of glass all over the floor! I 'lost' my voice on several occasions probably due to most venues being smoke-filled! Can you imagine how embarrassing it is to loose your voice when you were the principal singer and you had the rest of you set to finish! On one occasion the second half of a set in an Ansty pub had to continue by inviting people to come up and do the singing! So we auditioned a front man to take my place. We got one after several applied at the Radford Social Club, Iain McDonald, - soon after I left the band. The Fanatics later became The New Fanatics, Purple Haze, Acorn, Rogation Sunday and then The Drops of Brandy, who played around the Birmingham area. I am aware now, that at the time there was a band in the US using the same name and also, later in the 80s, a band from Solihull called the Fanatics that became Ocean Colour Scene (if I am correct). We did have an audition booked for the TV on 'Opportunity Knocks' (Hughie Greene's show), but sadly that fell through after I left. Some of the venues I remember playing are: The Navigation Pub, The White Lion (Bedworth), The Rose & Crown in Ansty, The Furnace, The Grapes, The Cedars, The Radford Social Club, ROAB Club, Parkstone Club, Unicorn WMC, The Plough on London Road, The New Inn, Stoke Ex-Servicemen's Club, and many others that I can't quite remember. We played an outside gig once at a fete. I also remember being approached by a chap from Roach Enterprises who offered to get us bookings but we declined, opting for our own manager to get us work. Great old times. All gone now, I am afraid. But fond memories. 

Iain McDonald’s memories from the early period of his musical career.... “After you (Bob Tibbitts) left, Dek (as we called him) found John Duggan for lead guitar and I think Jeff stayed on for a short time and John Morley continued to be the manager. But at one point we got in trouble with the law, we played at the Cross Keys in Bedworth and there was another band that rehearsed there regularly and used to leave their gear there. I didn’t know anything about it until we were on our way home but John Duggan and Dek took a guitar and an amp from there. John gave me the horse brasses from the guitar strap so I got done for receiving stolen goods, we all ended up in court even John Morley. Dek found out the police had been to his house so he took the stolen amp over to Radford Common and smashed it up. Can’t remember all the individual sentencing but I got 2 years probation. John Morley was disgusted about the whole affair and he gave up managing us after that. John Duggan could already drive by then and bought a Commer van and Dek started getting all the bookings. We ended up playing all over the country because wherever we went we would stop at a phone box and Dek would rip out the “entertainment agencies” page from the yellow pages, the further we travelled the more agencies he got in touch with and got bookings…… we even played way down in Devon and Cornwall, out in Suffolk and way up north as well. I think at first we were called the New Fanatics, then Acorn, then Purple Haze and Optical Illusion, etc etc, so many names. I can’t remember how it ended but I think I was the first to leave as I had done quite a few times before because the gigs had turned into outings with all the girlfriends in tow and I didn’t care much for that at the time. I got married to my first wife and then I met up with Ray Harte who I had known since we were about 10 years old, he was a great guitarist by the time he was 14 or so but he got his girlfriend pregnant and got married at 16, so he had been out of the scene for many years by then. He wanted to get back into it and he had met up with Neil Richardson cos he worked with his sister. Neil was jamming around with Loz Netto so he came along as well, so then we needed a drummer. I got Ted Duggan to come along and John Duggan came along to the rehearsal as well. During the rehearsal John, Ted and done a couple of things we used to do with Acorn and Ray was blown away with Johns playing so shortly after we parted company with Loz Netto and that band became Drops of Brandy.”

Trev Teasdel adds
" Rogation Sunday rings a bell - I was putting on the bands at the Coventry Arts Umbrella Club in Queen Victoria Road back end of 1970 and in 1971. Derek McConkey sent us a letter asking for a gig for Rogation Sunday (complete with 6 Go Go dancers!) I booked them - the letter is below.


Also the mention of Neil Richardson and Loz Netto rings a bell. I'd written some lyrics for the Mick Green Blues band - with Tony Morgan on bass and Steve Harrison on drums. The band split up but by May Steve Harrison was in a new band called Nack-ed-en and Steve invited me down to the Queens pub in Hillfields, to their rehearsals one Sunday and asked me to bring my lyrics. I did so but Steve was no longer the drummer by then, replaced by John Bradbury - some 10 years before he joined the Specials. The band was a 3 piece with Loz Netto (later of Sniff n the Tears,) on lead guitar and Neil Richardson (later of Drops of Brandy) on bass. they were a tight rock blues band. After they finished we went to the Dive bar and met up with blues guitarist Chris Jones. John Bradbury had a look through my lyrics and Loz expressed interest in putting some music to some and so did Chris Jones. Nothing came of it though but I became friends with Loz Netto for a while before he left Coventry to join Moon. He was studying drama at Brooklands Annex. 

The band complained about the high cost of hiring the Queens to rehearse so i suggested they join the Umbrella Club. For a one off subscription they could practice there free and they did. I used to watch them, Brad used to take the songs apart and work on the changes between verse chorus and bridge and he was a tight drummer, skilful no long boring drum solos. In August 1970 Neol Davies organised an all night Blues rock jam session at the Umbrella and as they were practicing at the Umbrella John Bradbury and Loz Netto were invited to join in. This was the first time that Neol Davies and John Bradbury played together, some 7 years before the two produced The Selecter track that eventually became the B side of Gangsters. Loz joined drummer Al Docker's new band Tsar, Neil Richardson joined Drops of Brandy - a covers band - and John Bradbury was in several bands there after and by 1978 was in Transposed Men with Neol Davies and Kevin Harrison before joining The Specials in 1979.


  Bob Tibbetts also writes poems and lyrics and has sent a few for this page.

HARVEST OF THE SHEETS

Oh! flaming red
You have gone
Not from my heart
But from my bed

This crop of senses
Harvested apart
No longer ours
But theirs's instead

The awkward miller
Who grinds the flour
He laughs at us
And bakes the bread

The lack of you
This lonely hour
I curse the fields we grew
And mouths we fed

What of this mildewed plan
Sewn in sheets on my divan
With love that lives
And hope that's dead

Your fields lay burning
Screaming red
It's harvest time
And love lies dead

Bob Tibbitts '04

A CHAIR FOR JESUS

I put out a chair
For Jesus to sit in
I watched and waited
And wanted to greet Him

I'd been as patient as could be
But the seat is still empty

I looked to the night sky
And soaked in the bright sky
Looked for strangers
That might swoop down
And stop by

I've gazed into bottles
Into glasses of wine
Breathed in the Holy Smoke
And struggled with Time

Read mysteries and theories
And between the lines in the books
Set a place at my table
With every breath that I took

Been searching in vain
For water in rain
And woods for the trees
To switch comfort and pain

I guess I'll write a letter to heaven
But won't sign it
Again


RWT 2004

A CRAZY SKY


Curiously ripe on a planet of mistakes
She touched her belly, smiled
Then pointed to the crazy sky
She gave birth to a blue-skinned child
A web-footed baby that nobody wanted to buy


Her little pet dog was found later
Something had taken its eyes
And the sheep up there had little holes
Drilled into their heads
No-one knew why


It was '67—
In a distant world that NASA proudly owned
Where lost children were already growing old,
This was nowhere close to heaven . . .


Trying to capture what had been
And what was to be
Those haunting words from yesterday’s dreams
Like a manitou growing . . .
Stretching for the light from that distant star


She gazed down at her newly-born
And sang a mournful lullaby
Of a fresh and safe life
On a bright blue world — La La La . . .


RWT 2004

LAND OF NOD

Would we sleep
The velvet, dream-filled sea;
Get lured far out of depth
To worlds that may not be?

This lifeless fleet
Of empty vessels with hands complete
They form the waiting cast
A faceless gang procession
And voyage that may not last.

Crimson sails unfurl
Each restless sleeping hour
With silver surge of moon
And stories told anew
The ghostly faces drawn
To join the eager crew.

A stormy rain, ever-changing stream
Busy with dread and alien cunning
Performing stealth on ancient screens
They crowd this tidal void
Anticipating their awful climax . . .
The ending of the dream?

                 Bob Tibbitts 15-3-10


A CLOCK IS A TIME MACHINE

Today becomes yesterday
As tomorrow becomes today
Time arrives as a flow
And is gone before you know

Don’t ask me how
There is no such time
As now

So we walk that narrow line
Between yesterday and tomorrow
A master known as time
Our lives will always borrow

Tic Toc Time travels backwards
While anticipation lives
We sense and always follow

The hands of the clock
Wear our lives away
And in an instant moves on
To yesterday

Bob Tibbitts 2004


14 / 18

14 / 18


c 1980 - Source Rex Brough


This was a studio venture by Pete Waterman. The story goes, he'd heard an engineer singing "good-bye-ee" at a Stevenson's Rocket session. Later, while he was having his hair cut he came up with the idea of doing a version. This he did with the assistance of Peter Shelley and Stevenson's rocket and it was a hit. There's a rather funny photo of PW in full uniform and tin hat. I presume he must have appeared on Top of the Pops in that get-up. An album followed, and then PW carried on as A & R man for Magnet records and DJing at Mr George's.
Single
Good-bye-ee / We'll stick together - 1975



Album Good-bye-ee - Magnet 1975


Track Artist Title Composer
A1 14-18 Good-Bye-ee Weston, Lee
A2 14-18 Roses Of Picardy F.Weatherly, H. Wood
A3 14-18 Strollin' R.Reader
A4 14-18 For All We Know Lewis, Coots
A5 14-18 Medley: Goodbye Dolly Gray; On The Road To Mandalay Cobb, Barnes; Speaks, Kipling
A6 14-18 Now Is The Hour Scott, Kaihau
A7 14-18 Get Out And Get Under Clark, Leslie, Abrahams
A9 14-18 Medley: End Of The Road; We'll Meet Again Launder, Dillon; Parker, Charles
B1 14-18 We'll Stick Together P.Shelley, P.Waterman
B2 14-18 For Me And My Gal Leslie, Meyer, Goetz
B3 14-18 White Cliffs Of Dover Burton, Kent Rate
B4 14-18 It's A Long Way To Tipperary Judge, Williams
B5 14-18 Medley: Beer Barrel Polka (Roll Out The Barrel); Four Leaf Clover Brown, Timm, Vejvoda; T.Connor
B6 14-18 Lilli Marlene Schulitze, Connor
B7 14-18 Hello Hello Who's Your Lady Friend Lee, David
B8 14-18 Medley: There'll Always Be An England; Auld Lang Syne R.Parker, H.Charles; Burns, arr. J.Fiddy, P.Shelley









Sunday, March 20, 2022

The Guttercats

 The Guttercats


BAND INDEX


On Facebook https://www.facebook.com/GuttercatsUK/?ref=page_internal

"The Guttercats have been a strong band for 20 years with an equal amount of gig experience. Bringing together the current line up of musicians that featured in their previous bands such as Fridayz Angelz, Lovebite and Malias. Also recently includes the release of the latest Guttercat EP, entitled 'Whisky Avenue' .

Vocalist - Andy has been playing and gigging since the mid 80's, Drummer - Mitz has been gigging since 1996 and James (Lead Guitar) has been playing live for a year or so - but with all strong mutual influences - the sound has a combined edge of classic rock, Glam (70's and 80's) and Sleaze, post punk with a hint of New Wave."

"The Guttercats are a Coventry based, Punky, Rocky, Poppy UK Band! who have been around in various forms since the early 90's! Formed from an acoustic duo that grew in time to a full band. The band have come and gone over the years, and returned in different formats but under the same name. The last few years have gathered momentum, from exciting and entertaining live gigs to some new recordings. Although in it's time, the band has had a revolving door of musicians coming and going, over the years, with the only constant and original members being, Andy Guttercat and Stevo Kifaru. Over that time the band has featured various ex-members, from Fridayz Angelz, Malias, Zendad, Lovebite, Wildside Riot Dub Jam Force and Sophie Corona. During 2013, the band took time off, away from the music scene.... "


Listen to them on Reverbnation






Andy Rothwell Guttercat says

" In 1988 the time had come to sit back and recharge the batteries. My personal life took over for a while and interest in being in a band was low. But then band number five and a half came along.. it came about, by some guy, that had seen me years ago with Firefly, came looking for me, to get me, to join a band he was putting together. I believe at this point there were some rehearsals with this rock type band, and they just happed to be at the same church hall that I'd practiced in with Fridayz Angelz in previous years. Iain and Stevo were also involved in the band. I didn't know Stevo at this point.


Stevo takes up the story for this bit, as regards laying the roots for what was to become The Gutter Cats, after the wilderness years…

" From what I can recall (names have been forgotten to protect the innocent) I'd been rehearsing with a bass player, who was into classic rock, and a lead guitarist who had been a rockabilly but now thought he was Slash!!! (In later years discovered this was Darren Bickerton who currently resides as guitarist of Coventry rock band The UnResolved)

Anyway we were auditioning for a singer when Andy & Iain turned up, Andy only prepared to join if Iain was taken on as well on guitar! It never got beyond the rehearsal stage, which is just as well as the choice of songs were a little bit eclectic, ahem. Think we had Wishing well, Out in the Fields, Shadowplay, Fool For Your Loving, Here I go Again, Sweet Child of Mine & maybe Paradise City, roughly there, before Andy & Iain joined. I think we rehearsed a couple of Fridayz Angelz songs as well (Johnny B Bad?, All My Love and possibly Who's She Killin Now?).

Anyhow, Andy & Iain only rehearsed for maybe six weeks with us then left, the band broke up & couple of months later Andy approached me at Busters Nightclub in Cov. where I was one of the Dj's (the better one!) and asked me to join his new acoustic based band, 'The Gutter Cats' (still think its an appalling name!) and the rest they say is history! or is it?"

Was it a case of musical differences that caused the split?

During my wilderness years, away from singing in bands, during the early 90's, I'd tried learning to play acoustic guitar, with the help of my friend Iain from Fridayz Angelz. I'd mellowed out a bit and started listening to acoustic rock tunes, that seemed to be a plenty of at that point. i.e. Poison, Extreme, Dogs D'Amour and even Guns and Roses. This gave me the idea for what was to follow......

On to band number six, The Gutter Cats, who Stevo has already mentioned above, which only started out as a bit of fun with me and my friend Iain. We thought we'd support a mates band, Shady Deal, and do some acoustic and vocal cover tunes. We enjoyed it so much that we began to form a band along the way. So during the next few gigs. Stevo was signed up and another guy called Fred (real name Steve, we couldn't have 2 Steve's in the band), (so he was rechristened 'Fred' after the band 'Right Said Fred', for obvious reasons! Check out the current Daz Washing Powder advert on TV).

The history of The Gutter Cats is a chapter in it self. I've begun writing it but it's incomplete and memories are needing a jolt to complete it! (Come on guys...type some thoughts down please) So after many gigs, demo's, fallouts, line-up changes, hilarity we called it a day, although we did three reunion gigs we eventually split up. This was the most enjoyable and relaxed of all the bands I've been in, and all the guys that were involved in this band, and I say a big Thank You, to! But there's still time for some more...... Never say Never!!??!

There were some attempts at a kind of Gutter Cats mark 2 in between all the reunions but they never took off during rehearsals. Possibly around this time band number seven emerged Midlife Crisis and was probably just that? We rehearsed loads and played a few gigs but the band seemed to have no real musical direction with the mixed bag of influences. During which time when the band had rehearsals booked and people didn't turn up myself Stevo and Paul would rehearse with a drum machine attempting to produce some new direction in the music we were playing. A kinda heavy industrial sort of thing it seemed. It all came to an end and Midlife Crisis split off into two factions.

That was for me, more or less the end of my band career, apart from the 3rd Gutter Cats reunion at Stevo's wedding. * But we proved we still had it in us and we could do it again!

So apart from singing the odd karaoke song or joining in with a few Thai rock bands in the bars of Bangkok, my band days seem to be at an end for the time being..... or were they???

So 2007 and band number 8 came along and I was approached by an old band friend, Tony Lowe from Malias, about singing again. He was putting together a band for a bit of fun and possible gigs.

Rewind slightly to 2006 and Tony had contacted me to sing on some demo's he was putting together, recording various songs he had written. I went along a gave it a try but I found his song writing had not progressed any further, than it had from the Malias days. It all seem a step back in time for me.

Anyway, I did a few rehearsals with the band and things were beginning to gel, gigs were are a long way off. Regular attendance of the drummer at rehearsals, didn't help things though. The band played mainly old cover songs of rock tunes, from 20 years ago. The band name became 'Sweet like Honey' but the ups and downs of getting regular rehearsals and a set of songs that we were all happy with, took it's toll on me. My enthusiasm for the band faded. With no real direction and being told to learn songs I had no feeling for, I quit.

The band found themselves a new singer and also a drummer who they could rely on. They went on rehearsing and getting ready to gig in September 2007. A change of name for the band too.... Splif Vica...

And on to band number 9.....The Guttercats.....or just Guttercats… A complete story in it self to follow... This was a different band to the original Gutter Cats, hence the joining up of Gutter and Cats in the name. Around this time Andy dropped the Rothwell name to become Andy Guttercat.

The Guttercats became a revolving door of various Coventry musicians.

Andy Guttercat (Rothwell) stills produces and releases music under his own name these days although with not much sight of any live gigs currently.

Andy

Andy Guttercat-Rothwell

Gunther Prague

Gunther Prague




A band from Coventry, UK.
“…Shellac vs Cardiacs”…
"...like Minutemen playing metal"...
"...I accept death, Eligio. It holds no terror for me."




 



Set list for tonight:
L'ORi
DAD DER
PERU
RAND
A
OFfEL
BUTTER DrINKERS
ANS
TERRAfORMEN
EEN O
GiNGERIEND
FALMATLAS





GRIP INC

GRIP INC



Technically Grip Inc are a US band but led by Coventry's Gus Chambers formerly of Coventry punk band Squad.

Sadly Gus passed away in 2008 so this post is a tribute to him from the original Hobo Magazine site on Vox.

First about Grip Inc -

Grip Inc. was an American groove metal band and side project of drummer Dave Lombardo. The band was formed in 1993 and was signed to Steamhammer Records. As this is not a Coventry band I refer you to their wiki site https://en.wikipedia.org/wiki/Grip_Inc.

GUS CHAMBERS - Hobo Tribute
Cov musicians Jim Pryal and Kevin Harrison e mailed me this morning with news of the

legendary Cov Punk singer / front man - Gus Chambers, who passed away at the age of 52 on October 13, 2008. Sadly it was believed he took his own life.

The news has impacted on the Cov scene with Pete Chambers (who wrote a tribute in the Coventry Telegraph) saying that tributes and messages were pouring in from friends and Cov musicians and many others who had worked with him or have known him and his music. Pete also says of Gus "his punk-crazed stage antics were quite opposite to the real man - Gus was a thinker, and a great believer in fairness and racial equality, though to some, he was just a punk. Of late, Gus was part of the sonically-superb Mantra Sect. "I've been very lucky in my career," said Gus. "I have had the privilege of playing in front of thousands of people at festivals like Rock in Rio and the Dynamo Festival in Holland. Nothing though  brings back fonder memories than playing in front of maybe 20 or 30 people in The Hand and Heart or the back room of The Swanswell."

Gus Chambers was singer with the Coventry punk band -SQUAD having stepped into the shoes of Terry Hall who left to join the Specials. By 1981 he was fronting 21 Guns who made a single for the Neville Staples record label - Shack Records. Their single was Ambition Rock(although I think there was another single too which I have in the loft somewhere - (not having a record player to play it on anymore!) - Will dig it out and see at some stage.).

"Gus later moved to America and formed Sons of Damnation, finally joining the no messing high-energy metal band Grip Inc. They were formed by former Slayer drum-king Dave Lombardo. They released three brooding albums in the mid to late 90s - Power of Inner Strength, Nemesis, and Solidify - and finally came back with a fourth entitled Incorporated in 2004, which was greeted as a true return to form by the critics." says Pete Chambers.


Pete also says of Gus "his punk-crazed stage antics were quite opposite to the real man - Gus was a thinker, and a great believer in fairness and racial equality, though to some, he was just a punk. Of late, Gus was part of the sonically-superb Mantra Sect. "I've been very lucky in my career," said Gus. "I have had the privilege of playing in front of thousands of people at festivals like Rock in Rio and the Dynamo Festival in Holland. Nothing though  brings back fonder memories than playing in front of maybe 20 or 30 people in The Hand and Heart or the back room of The Swanswell."

 In 2002 Gus contributed to punk site giving a good insight into the development of the punk scene in Coventry -


You can view it HERE

In the article he tells how he was advised by a mate in 1976 to go and see Roddy Radiation and the Wild Boys (Roddy obviously later went on to the Specials) and from then on was hooked. He says that punk in Coventry "started out very small and not many places to go, there was about 15 to 20 Punks all coming from different walks of life but getting together to be a part of the scene. The only pub that allowed punks in at the time was a gay pub and the student union bar at the Lanch Poly sometimes let us in, non students would get hassle etc."

The pub was the Rose and Crown - "the punk scene started to grow very quickly and was being accepted which lead to more pubs in Cov becoming punk friendly, some pubs let us put our own records on their juke boxes, a punk disco started at the weekend at the Rose and Crown, the Bear Inn become a big punk hang out, a mainly metal disco up stairs in The Golden Cross started to play punk rock and a couple of night clubs started to have punk rock nights. The first one was The Cottage, Wednesday was punk night sometimes letting local bands play. Monday nights at Mr Georges became a great venue for live bands, a lot of national acts played there plus many local bands had the chance to play ,this helped play a big part in building the local scene. Local bands started to hire out back rooms in pubs, places like The Heath, The Hand and Heart, and up stairs in the Domino played a big role in keeping music live also musicians who didn't have a record out, had no management and all that other record biz bull had the chance to book a gig and play( after all that's what punk rock was all about .) Early punk and new wave bands which contributed to the local scene in Cov. were The Flys, Roddy Radiation and the Wild Boys, The Squad, The Urge, The Automatics( later to become ska band The Specials ) The Vietnamese Babies, Gods Toys, The Pink Umbrellas ( fronted by 80ts pop Icon Paul King ) and a couple of years later came Riot Act, Oi band Criminal Class and various ska bands, The Selector. Swinging Cats."


A quick Google of his name shows there are quite a few tributes on the net to Gus Chambers - here is one -

http://en.wikipedia.org/wiki/Gus_Chambers





Probably the best tribute to and way of remembering Gus Chambers is through his music, and, thanks to the Brave words site, I've found a quite a few videos of Gus singing with Grip Inc and one with Mantra Sect. Here are a few below but you can find of Grip Inc on You Tube.


"The clip features performance footage that was shot on May 8, 2008 at The Three Tuns in Coventry. MANTRA SECT bassist Wendy X said in an online posting, "What Gus did at the beginning while we were rehearsing was very typical of him! I thought he would ask me to change that bit but he loved the clip being on there. He made us laugh a lot."

mantra sect
Jesus Saves - Mantra Sect with Gus Chambers Vocals


Comments
wolfencopter
I am so saddened to hear about this great loss. I was going through my music collection tonight and was reveling in the glory of Grip Inc. As I usually do after listening to a band for years I finally get the bright idea to do a little research on the members, and tonight I hear of Mr. Chambers passing. I just wanted to pass a thank you to him for being who he was and now my real journey begins into his life. Good luck on your travels sir, you are dearly missed.

Tom from USA

Posted by: wolfencopter | 12/30/2008 at 05:45 AM





Saturday, March 19, 2022

Gregorian Chant

 

Gregorian Chant


Post for related bands - Gregorian Chant / Boots / Children / Canyon / Joker.

Gregorian Chant evolved different names as they went along including Boots, Children, Canyon, Joker.


David Bown (Vocalist) has kindly supplied a great history of the band and sent me quite a bit of material to share here. I will cross reference this material on the entry for the other bands too.

The A side of the single - You Better Run -  - a Young Rascals song and the B side written by the band A to D below on the Youngblood label 1970.  Produced by Mike Berry of Sparta Music Florida.







Gregorian Chant - the full history from Vocalist Dave Bown
Formed in 1967 by Singer David Bown & Guitarist Don Wright and a very enthusiastic Terry Bown – Dave’s brother. Terry had played piano but never played guitar he pick up bass very quickly. Terry & Don were still at school, Dave was midway through an apprenticeship. After a few months of rehearsal with a local pub drummer Brian Bludell the band recruited a younger drummer Paul White and established drummer who had learned his skills with the TA band. The four of them really worked well together, all four had studied music to various standards, Don was practically well versed and his understanding of musical theory really helped the band in its early days.




They played together for four years, in clubs, pubs, dance halls and open venues in and around the Midlands, built a real following and reputation, firstly playing pop standards and gradually developing their own style of music, influenced by bands like Fleetwood Mac, John Mayall, Cream, Jeff Beck, Led Zeppelin and Black Sabbath.

A young bunch of very enthusiastic semi pro musicians writing their own songs, striving to make a career in music, to try and move things along a bit Terry wrote a letter in answer to an ad in Melody Maker, a reply came back asked for a demo tape. The band booked a recording studio in Birmingham and recorded and number of songs, the real to real tap recording on was sent it back, as a result of this they met A & R man Mike Berry of Sparta Florida Music in their offices in Oxford Street London.

Berry arranged a demo session for the boys in Luxembourg Studios behind the Park Lane Hilton Hotel, as a result of which

he arranged for them to record and release the Young Rascals song “you better run” (which incidentally was on the YOUNG BLOOD label and the follow up to their hit record Indian Reservation by Don Fardon, Don was also from Coventry). The B side to “you better run” was A to D, originally a rock number written by the band and indeed much more in keeping with the type of material Gregorian Chant were now playing.
Again, however, Berry steered the boys, led by a recent comment of John Lennon’s who said “If the Beatles recorded the telephone directory it would make number one” Berry got the boys to play the original music track they had written and then had Dave read and sing numbers and addresses from the London A to D telephone Directory in one take. Berry topped this by adding dial up time recorded service beeps.

BOOTS




This was a really exciting time for them but also meant some hard decision. Berry didn’t like the name Gregorian Chant and insisted that the band’s name be changed to Boots, which the boys were not too keen on but went along with it.




Opportunities were opening up, there was a lot of hard work to looked forward to all of which indicated that they were heading for a full time career, unfortunately at the time Paul decided he didn’t want to do that, but wanted to stay in his chosen carrier as an accountant, which he did and has been very successful to this day. At the same time as the record was released Dave & Terry’s Mum, who had always managed the band and spend all her spare time getting them gigs and making sure the four boys were well looked after, decided that the next stage of their carrier was a step too far for her.

So brothers Dave & Terry and Don Wright had to find a new drummer and put their faith in Mike Berry! They firstly found a power house of a drummer from Birmingham Les Fortnam, a really well accomplished drummer (ex Bob Cats of Blue Peter 1966 fame) Les played very much in a John Bonham style and could really lay down a solid beat. Les was a great drummer and a whole bunch of fun. Unfortunately he was only to stay with the band for only a few months, due to a number of things, Mike Berry being the main one, he didn’t like Les’s style of drumming, it was far too heavy for Berry, so sadly Les had to leave the band.




The boys were unhappy with how things were progressing; their style of music was being influenced however with Les on drums they had added to their sound and style getting a little heavier, a style which they all enjoyed. Some of the gigs they played at this time really did get good reviews; needless to say “You Better Run” was not always in the programme.



As a point of interest, when Mike Berry came to the Midlands to see Boots perform he also met a number of the bands friends who were in bands, this resulted in his relationship with both the bands Ning and Fresh Maggots. The guys in all three bands were school friends.

From Broadgate Gnome 1970






Children / Canyon

Children with Steve Palmer on drums (brother of Carl Palmer ELP) at the Coventry Arts Umbrella booked by Al Docker and Trev Teasdel


Les was eventually replaced by a very young, more technical Steve Palmer from Birmingham (younger brother of Carl Palmer of Emerson Lake & Palmer fame) at the same time they drifted away from Mike B and started writing and performing more of their own material and less covers. Luckily there was no strong contract in place so the new band had the freedom to move forward. With the help from John Tully “Inter City Artists” Birmingham they started getting some really prestigious gigs. After a split with Berry they changed the band’s name to Children, but after a few gigs felt it to be a bit soft, so changed again it to Canyon.

Canyon” was the result of five years hard work” and for 18 months they played some great gigs all around the country, as well as supported a lot of top rock bands of the early 70’s, and the band were also offered a number of deals, John Tully really worked hard for them, however when the time came for a contract to be signed with a major company Steve, who was then under 18 could not sign and his family decide it was too early in his carrier to get into anything permanent, another fork in the road, but this one hurt.




The original three were looking for a new drummer again, finding a drummer to replace Steve was very hard, Terry and Steve had developed a very solid musical relationship, they were so tight and it gave Don so much freedom, 3 months after Steve Palmer left the band Canyon split. (colour photo above of Canyon)

Steve joined a band called Heaven and has had a great career in music to this day, Dave went back into engineering and didn’t join a band again for two yrs, then only a local act, Don & Terry joined Love Machine but that only lasted a few months. Don then chose to go to teachers training college; the only original Gregorian Chant band member who made a full time career in music was Terry. Terry played in numerous groups both in the U.K. & Germany including Coventry’s own Smackee and Khayyam. Eventually Terry moved to the U.S.A lived and worked in and around the Los Angeles area for almost 20 years.

Don, Paul and Dave did get together again 3 years after the original band split, be it semi pro working discos and clubs in

and around Coventry in a covers band - “Dave and the Sun” this was a band Dave had originally joined called The Sun after a few changes this band became “Dave & The Sun” and evolved into “JOKER” a very popular covers band that played all over the UK and had an eventful trip to Denmark & Norway.
The guys in the original Joker line up were David Bown vocals and guitar, Rob McKenzie vocals and bass guitar, Don Wright Lead Guitar and Jim Ferris Drums, the band did go full time, when they did Don & Jim unfortunately left the band and Chuck Elliott came in as Lead Guitar and Ricky Medlock replaces Jim as the Drummer, prior to the trip to Denmark/Norway Chris Jones was added to the band line up as a second guitarist. When they came back to the UK and the band split. Photo of Joker above Joker, final line up. L to R Chris Jones, Rob McKenzie, Dave Bown, Chuck Elliot, Ricky Medlock

Dave Bown, still play’s and sings but nothing permanent. He love’s his drum machine!!

Don Wright is still playing and has had a long standing local band call The Draw

Terry Bown is back from the USA now but is currently not playing

Paul White no longer plays, but was playing local gigs until 3 years ago.

Les Fortnam, still plays in and around Birmingham.

Steve Palmer, has had a great career, you can check him out on the internet.

Rob McKenzie, went on to have a fantastic carrier in entertainment as one of the senior managers with “Circ de Soleil”, lives between Canada & the West Indies now (someone has to do it)

Jim Ferris, has a very successful drum school in Exmouth; Jim has also had a great musical carrier as I understand it mainly with big bands

Ricky Medlock, is still playing and is currently working in an around Coventry with various bands, he had a brilliant time in the industry playing with Barbara Dixon and many others.

Chris Jones, Khayyam (with Rick Medlock - toured Europe - Jazz rock - residencies at Earlsdon Cottage - Coventry and Ronnie Scotts in London. Chris is still playing in his own band in and around Leamington, Warwick

Chuck Elliott - Side Effects with Chris Jones - jazz funk - backed various visiting Talma Stars in the late 70's.

Joker on stage at Canley College


The Draw - Don Wright's band.

Dennis Burns (of Flood)- "Mike went on an A&R visit to see Boots (ex-Gregorian Chant) at a gig at Wolvey Village Hall in the summer of 1970. Mike liked Fresh Maggots so much that he signed them up." " I guested with ex Gregorian Chant and Boots guitarist, Don Wright's band - The Draw, a few weeks a go. " comment from 2007.


Terry Bown was in Smackee

Melody Maker Photo when the Boots single came out.



The Mosquitoes Rick Medlock on drums.


As Children - the band played the Coventry Arts Umbrella Club, 18, Queen Victoria Rd on Friday September 25th 1970. Booked by Al Docker. Other places they were advertised Gigs in 1971 included The Village (Colin Campbell) on Fri 1st January, The Walsgrave Tues 12th Jan 1971 and Warwick University Arts Fest. Sunday 7th March.

Comments from the old Hobo vox / Typepad blog


This is excellent. Cheers Trev and Dennis. Boots were great!

Posted by: Jim Pryal | 07/29/2007 at 09:43 PM



[this is good]

I guested with ex Gregorian Chant and Boots guitarist, Don Wright's band - The Draw, a few weeks a go. I'll confirm the rest of the two band's line ups with him and will post here. Dennis

Posted by: Dennis Burns | 07/30/2007 at 09:51 AM



Band that played at the Colin Campbell
Lead Guitar - Don Wright
Drummer - Paul White
Bass - Terry Bown
Vocalist - Dave Bown


Posted by: Dave B | 06/25/2013 at 04:45 PM



[this is good]

I guested with ex Gregorian Chant and Boots guitarist, Don Wright's band - The Draw, a few weeks a go. I'll confirm the rest of the two band's line ups with him and will post here. Dennis

Posted by: Dennis Burns | 07/30/2007 at 09:51 AM



Band that played at the Colin Campbell
Lead Guitar - Don Wright
Drummer - Paul White
Bass - Terry Bown
Vocalist - Dave Bown

Posted by: Dave B | 06/25/2013 at 04:45 PM

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GRAHAM WALKER'S PROPELLOR
From Drummer Jim Pryal

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From Nuneaton.
Tracks - Black Magic Woman / Delta Hurricane

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Members
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