1971 Formed by Mick Coleman (sometimes called 'Bin') a young jazz drummer and executive member of the Coventry Arts Umbrella for a performance at the Umbrella.
He ran a recital at the Umbrella Club Jazz on Record c 1971.
Coventry Arts Umbrella Newsletter February 1971 entry -
"20th February Saturday 8.30 Modern Jazz - Mick Coleman presents a live performance of the SLITNITZER MODERN JAZZ TRIP " SNJT
1968 – 1969 Dave Jones – Drums Gordon Kelly – Bass Pete Bowron – Lead Gerry McDonald – (Leader) Sax Norman Cambell – 1st Trumpet Freddy ? – 2nd Trumpet ? – Organ ? – Bass Sax ? – Keyboards
Skeet were formed - initially as a two-piece instrumental bass and guitar band – by guitarist Gary Meffen after he left punk band Homicide and bought a Roland CR-8000 CompuRhythm drum machine. He teamed up with his brother Nigel on bass and they played numerous gigs in Coventry during the early 1980’s. Through mutual friends Chris Long (Swinging Cats / The Rhythm Doctor) and Toby Lyons (L’Homme de Terre / Swinging Cats / The Colourfield), Gary and Nigel were introduced to Kay Booth, who under Toby’s guidance had recorded a demo singing over a live Skeet recording. With Kay on board, Skeet were very much part of an underground Coventry music scene featuring bands such as Zanders System (featuring Toby Lyons, Lee Shale, Karl Shale (Solid Action, The Colourfield, The Candyskins) and Nial (Solid Action)) and The Jessie Boy 5. They played local venues such as The Venue, Corks Wine Bar, The Hope & Anchor and Guys Club / Busters. The bands biggest gig was supporting ‘I’ at Coventry Cathedral in support of the families of HMS Coventry, which was sunk during the Falklands War in 1982.
The band made a demo cassette recorded by Lee Shale at the Zanders System practice space in Park Road Coventry using Toby Lyon’s TEAC Reel-to-Reel and The Specials Jerry Dammers mixer. Although there was talk of a record deal, the pressures of work caused Skeet to call it a day at their peak.
Gary emigrated to Canada and works on some solo work under the name of Homicide BC. Nigel has played in several bands including Simon Seachange, Spoofer, Prole Position, the Del-Chronics and Cherry Joe & the Lightning Crew. Kay went on to play in several bands including Ships Crew - which also featured John Shipley - (supporting The Specials at The Butts), 21IF and The Furious Apples.
The track ‘A Brief Call’ was featured on the first limited edition 200 copy Alternative Sounds CD, in support of the Coventry Music Museum.
Skeet Brief Call. A song recorded by Coventry band Skeet rediscovered as part of the Alternative Sounds series of CDs. A new video made up from the only surviving footage of the band.
"The Skabilly Rebels are an English band formed in 2003 by Roddy "Radiation" Byers, formerly of The Specials and Sam Smith, who had previously worked together in rockabilly band The Bonediggers. The band is based in Coventry, England. Their songs, all written by Roddy Radiation, are a hybrid of ska and rockabilly music styles.
They are Roddy Byers (Radiation) (lead guitar and vocals), Sam Smith (The Bonediggers) on rhythm guitar, Paul Ayriss (The Tone/ Ex-Cathedral / The Spitters) on drums, Mac (Travis Cut/The Pharaohs) on bass, Jay Jones (Lee Perry) on keyboards and Drew Stansall (Laurel Aitken / Prince Buster / Rico Rodriguez) on saxophone. They released their debut album 'Blues Attack' at the end of 2009 and toured the United States in 2012." from http://en.wikipedia.org/wiki/The_Skabilly_Rebels
Tony Mojo Morgan (Ex Coventry ska band EMF and blues band Mojo's Hoochie Coochie Blues Band and The Travelling Riverside Blues Band played with them at one stage.
Pete Chambers - Godiva Rocks book 2004
" Born Roderick James Byers 5th may 1955, brought up in Kersley village Coventry, his father Stan Byers was a trumpet player, of some renown. He was christened Roddy Radiation by his brother Chris during his 'Ziggy' days. Started out playing with the club band Heaven Sent, later moving to Coventry punk band The Wild Boys that included Roddy's brother Mark Extra on guitar. Jerry Dammers asked him to join his new band The Coventry Automatics (later called The Specials). He would be the second most prolific songwriter in the band penning Concrete Jungle (written during the Wild Boys days), Rat Race, Holiday Fortnight, Hey Little Rich Girl. His punk persona was slowly giving way to his rock n roll roots and his song Braggin' and trying not to lie, set the tone for what was to come. before the Specials had finally split Roddy had formed Roddy Radiation and the Tearjerkers bringing ska and rock-a-billy together."
Colin Hughes tells us "The band was called Siren (1981 - 82). Col Hugheson guitar with Tony Lowe also on guitar, Johnny Slater on drums, Gareth Beynon on bass and Keith Farrelly / aka Keith Fabrique singer.
In '82 we changed lineup with Paul James taking over on bass and Andy Rothwell aka Andy Guttercat on vocals. At the same time we changed the band name to Malias. We split sometime in the early 80s but myself and Tony Lowe got back together in 2011 to form a new band which we also called Malias though the other 3 weren't original members (Craig Taylor bass, James Bricknell drums and David Seeley vocals).
We did quite a few local gigs at the Arches & Roadhouse etc. We split up in 2016 when I quit playing. This is our band page, if you go into the photos tab and find the album called Old Malias Pics there's loads there, take your pic (no pun!). There's no videos except ones of the more recent band."
Andy Rothwell - Guttercat says
"It was around 1980 and I heard via a friend down our local drinking haunt The Lady Godiva Pub (nicknamed The Dive) that a metal band were looking for a singer as their current singer had been sacked / left. Turned out though he had become the Manager of the band. Keith Farrelly was his name and he guided me helped me with my singing also. So the second band I joined after an audition, was the heavy metal/rock band 'MALIAS'. * I dropped playing the bass guitar at this point which was strange as they auditioned a new bass player at the same time (Just happened to be Black Paul who' I'd hook with again many years later in The Gutter Cats). I got to play my first two live gigs with this band which was fun. It got me into wearing my 1st pair of spandex trousers (A sky blue colour!) as was the fashion for metal bands at the time. Things didn't last long though, and neither did the trousers. The band split up due to personal issues. From memory a couple of rehearsals were tried with a rejuvenated line-up of Malias members and new personnel but nothing came of it.
This is Malias on Reverbnation - listen to 16 tracks by them here
This was the more recent version of Malias and not the one from the 80’s.
The song Stop Falling in Love was originally written by Andy Guttercat but then updated lyrically for this recording.
Sika Redem are Luke McCusker (Drums), Ian Lee (Bass), Stein Fletcher (Guitar), Lewis Roden (Guitar) and Tommy Jones (Vocals).
Members joined after lineup changed following the realease of Entheogen. Recorded and played live, recorded still unreleased projects:
Adam Hare / keyboards Aaron McCusker / Bass Guitar
From BBC Radio Coventry and Warwickshire Live bands blog 28 October2014 -
Sika Redem studio bound
" We caught up with September’s band of the month Sika Redem just in time before they
head off to deepest, darkest Wales to record their debut album.
Yes, Coventry’s noise mongers are heading off to Foel Studios to hole up away from civilisation (well about eight miles away from the nearest town) to follow in the footsteps of Eden Maine – and they got four K’s from rock bible Kerrang! for their To You the First Star album.
We hope Sika Redem can do the same – the band have certainly been busy writing new material throughout the year. And the tapes from the recording studio will be mixed by Sweden's Magnus Lindburg of Cult of Luna. The boys are hoping to head over to Scandinavia to oversee the production as well as to check out Magnus’ accent - well you would wouldn't you?!
The five-piece has been together for two years and according to Fletcher it's hard to define their sound.
The guitarist said: "Influences are anybody that has challenged us to push things forward and to be creative. There are far too many bands to pin our collective sound down to".
Making an impact
Sika Redem are making their mark as one of the best new metal bands. The five boys' demo EP No Gods No Masters from 2004 was well received around the country (it was limited to 150 copies and they all sold) and having had tracks added to various compilations since, their solo debut is somewhat anticipated.
"Sometimes music just needs to be experimental, challenging, chaotic and yet at the same time beautiful and pure. Coventry's Sika Redem are all of this and some. Indeed here is a band that take thinking man's rock into a totally new dimension. Mixing the chaos of The Dillinger Escape Plan and Eden Maine with the brooding atmospherics of Mono, Isis and Mogwai, Sika Redem don't copy - they reinvent popular genres to create moods not experienced before. Entheogen the band's debut album - takes the listener on a dark journey, through peaks and valleys of emotion and moods. From the haunting epic opener of The October Bird Of Death, to adventurous The Protagonist Fails, The Pugilist Falls right through to closer Sekret Redem this is an album that truly deserves to be described as unique."
"This record is without doubt the best thing I've heard in the last 12 months. Taking the epic crunch of Isis and the delicate post rock of Mono and Godspeed YBE, the massive feel of Pelican and a dollop of the hypnotic groove of Tool, and you're about half way there. The record feels like a progression in it's own right - it feels like it's moving things forward, and that's a rare thing in what is a largely stagnant scene. At once crushing and unbelievably pretty it requires an investment of time to really get the most from, but it will continue to pay dividends. I buy a lot of records and it's rare for a CD to stay in my player for more than a day consistently, this record has been on rotation for two weeks and counting. And I feel richer for it."
"To those out there who think that the new rock bands are pale imitations of what's gone before, I say take a listen to Sika Redem. Innovative, talented and definitely the rock trailblazers of the 21st Century. Entheogen is pure genius."
"A good and interesting album which connects mathcore like 'Dillinger Escape Plan' and post rock like 'Mogwai' to something maybe not entirely unique but nevertheless it is well made. Very talented band."
"Sika Redem are a sadly underappreciated band from Coventry. Their schizophrenic, cathartic yet beautiful sound could be broadly generalised as screamo, but there’s so many different elements to take note of in their music that it’s quite hard to tell. While it fuses together so many different influences, never once does Entheogen sound contrived or, indeed, anything less than unique. There is a broad sonic range on display here: the epic album opener “The October Bird of Death” showcases Sika Redem’s capabilities perhaps better than any other track here, an impressively seamless flow from jarring discordance to inventive mellow guitar-tapping; from furious screamo to enormous epic climaxes. ‘Mr. Hunk’, ‘The Race From Hominid To Star Flight’ and ‘Shields’ sound, to throw some lazy journo metaphors out there, somewhat like Off Minor teaming up with Mogwai to fend off Isis at their most colossal. Their noodling post-rock guitar lines are juxtaposed with towering walls of almighty noise. ‘Euglena’ and ‘Proud Sons of a Magnanimous Land’, meanwhile, show that they also have the art of short bursts of cathartic screamo-meets-mathcore firmly under their belts. Sika Redem’s sense for the epic is, opening track aside, most noticeable in ‘The Protagonist Fails, The Pugilist Falls’ and ‘Stretching for the Zenith’, two sprawling, gargantuan tracks that reward attentive listening immensely. Tommy Jones’ vocals also display an impressive range, flitting from impassioned, abrasive screams and desperate yelps to ethereal crooning. Browsing the lyric sheet only makes things more involving – Entheogen is a complex, compelling album brimming with emotion. The production, done by Magnus Lindberg (most notable for his involvement with Cult of Luna), is also of note – it sounds enormous yet distinctly unpolished, a raw titan of an album. This review makes Entheogen sound frankly all over the place, but that is simply because it is hard to describe the sound without resorting to lazy comparisons. It is a very coherent and unique-sounding record, each song carrying with it a distinct sound that could only be attributed to Sika Redem themselves, whilst displaying an impressive amount of invention and variety. Don’t miss out, immerse yourself in their chaotic, dizzying wonderland – it’s a trip that you won’t forget."
It’s unfortunate that at the beginning of this piece I cannot set a scene. I’d like to tell you that the interview I conducted with Lewis Roden, guitarist of Coventry-based five-piece Sika Redem (Luke McCusker, Stein Fletcher, Tommy J and Ian Lee make up the numbers), was recorded onto a Dictaphone while sitting outside of a disused observatory, or on the roof of some star-reaching skyscraper. If I did I’d be lying, as instead of taking place in a location befitting such an otherworldly, yet strangely grounded band, questions and answers were merely traded back and forth on an internet messaging service.
In late May 2006 Sika Redem released their long-overdue debut album Entheogen, to a bank of hushed praise. The nine-track album received 9/10 or 4/5 reviews in several magazines and webzines, but the band have had a conspicuously slight amount of press coverage. Not that this bothers the band - for them it's strictly music, something that’s apparent from the album itself, which Lewis is keen to discuss at length.
--- "There isn’t really a set songwriting process. Riffs and ideas come from each of us, then we'll them elaborate on and work them into other riffs and pieces" ---
"On Entheogen some of the songs were over a year old - ‘Zenith’, ‘Proud sons…’ and ‘Protagonist’ were written nearly straight after our first EP, No Gods No Masters, was released. Those songs had a stricter design, and due to having no worries about deadlines were allowed time to develop.
"There isn’t really a set songwriting process - riffs and ideas come from each of us, then we'll them elaborate on and work them into other riffs and pieces, sometimes bits from jams, sections of things. The songs ‘Mr Hunk’ and ‘Sekret Redem’ in particular are more jam based, those songs lend themselves to a bit more freedom and improvisation. We do jam a lot, we'd like to get more of it into our songs, but we seem to forget, or get bored quite quickly and enjoy working things out and messing about with them.”
As anyone who has heard Entheogen (pictured left) will know, this is more than evident. While their first EP, a three-track slab of intense and oceanic post-metal, seemed to lack ingenuity despite its high quality, their debut album is a great step forward - a step into the unknown. Earlier tracks were built on the traditional, and highly predictable quiet-LOUD-quiet structure on Entheogen there is a sense chaos, in volume, tempo and any other element you care to mention.
Take second track ‘The October Bird Of Death’. Crashing in with falsetto wails and cymbal hits, it soon burns through screams and complex, punishing riffs before settling into a clean, hushed melody - all in just over a minute. With such ever-changing music, it's hard to pin down a clear inspiration. Lewis quotes Pink Floyd, The Murder Of Rosa Luxemburg, The Verve and Orchid among others, yet it's hard to find more than a couple of seconds that could be accredited to any band's influence.
So what is the band's opinion of the album? Obviously with such a dynamic change from their EP there must be a certain dissatisfaction with their earlier material, or a hyper-active refusal to retread waters - can a greater change be expected in the future?
--- "We always want to challenge ourselves. No direction is planned..." ---
"We are very proud to have gotten to make the record and have it released - it's the high water mark of what we've done so far. There's certainly no tracks that we wish weren’t in, and it's definitely a statement - a document of us at that very point.
"When we talk as a band, it's always about the next thing we're gonna get into. We always want to challenge ourselves. No direction is planned... I don’t know if that’s to our detriment, if it causes us to be unfocused, or not give time for certain aspects to breath or develop themselves. Maybe slowing down and refining ideas we have under our belts would be a good thing for us, but it seems that any time you consciously direct the music you end up fucking it up, or turning out something fake."
The band will begin their first tour since the release of Entheogen in September. Although full dates are unavailable, Lewis is keen to display his enthusiasm for taking to the live stage. I ask him where his preferred place is, on stage or in the recording studio.
"We would like to be in a position to do both, all the time. I can't wait for us to tour, as we ain’t played in ages and ages. The live playing - if anyone comes to see it - is awesome if there is a crowd who like it, and just hanging out with your mates in a new city is beautiful.
"Right now, playing live is the more important thing for us, although I love the creation of new stuff in practice. It's hard - if the vibe doesn’t happen live then it hurts, same as if the vibe when writing isn’t there it's disheartening, there is nothing you can do to bring it up, to make it happen."
If you like to be challenged by music, to follow it through after hitting the glass prism, then be sure to check out Sika Redem live and/or to purchase Entheogen. It may seem hard to swallow at first, but the sound they create is as enticing as it is thought-provoking, a pulsing ever-changing behemoth that takes in and chews up prog-rock, post-rock, metal and hardcore, producing something truly uncategorisable."
Electric Jazz band that also supported visiting Talma Motown stars.
Featuring -
Chris Jones (Ex Khayyam) bass,
Kevin Demsey (Ex Dando Shaft),
Chuck Elliott (Ex a disco Soul band with Jerry Dammers),
Paul Brook Ex Analog).
Live Electric Jazz tracks from Side Effect - at the Virgins and Castle - Kenilworth c 1979.
Thanks to Chuck and Dave Elliot for supplying this unheard material for the Coventry Music Archive - Hobo.
Side Effect backed Percy Sledge and The Marvelettes on their UK tour c 1979. Chuck Elliot played with Jerry Dammers before The Specials and Paul Brook was in The Reluctant Stereotypes and Kev Demsey in Dando Shaft. Live audio Kenilworth 1979 - previously unheard.
"In the summer of 1983 two cousins of mine, Graham and Nick Martin, who both played guitar, joined together with me on the drums to form a band.
Joined by Steve and Eric, as singer and bassist respectively, and under the name of "Shylo", we mostly did cover versions of 60s and early 70s songs including The Beatles (who else?) and the Stones. Occasionally we attempted something a little heavier, and if you click on the appropriate link you can hear a snatch of Deep Purple's Smoke on the Water
(The track is on a player on Rob's Coventry history site and is from a rehearsal at the Bulls Head Pub in March 1985. See ionk below)
Not all our music was unoriginal, however. 'Another Man' was the first attempt by myself to write a song for the band. The lyrics were co-written with the singer, Steve.
After two years together, the members of that first band went our separate ways, but Nick and I ended up being invited to join a newly formed covers band in the autumn of 1985, so for six months I played drums with Tryx, led by experienced guitarist & singer Mick, and including the excellent John Oswin on rhythm guitar with Nick switching to bass. After leaving them in April 1986 the band underwent many changes, ending up as a duo - Mick being joined by his girlfriend Marie on vocals.
Here is an excerpt from an early rehearsal (Jan. 1986) in the Radford Social Club.... Knock on Wood (Again the songs are on the link to Rob's site)
After giving up band life, I contented myself in the 1990s with composing music at home using the excellent Cubase programme on the PC.
Here are some short excerpts of instrumental pieces (I can't sing!) that I put together many years ago....
John Shipley is a Coventry musical legend and mentioned on this site under The lesser known Two Tone band - Swinging Cats and others. A full article on John Shipley can be found here by Pete Clemons and Milan Stojsavljevic
Pete Clemons tells us (from the above interview with John Shipley) "After the Swinging cats split up, owing to constant line up changes, in October 1980, the second planned single, “Greek Tragedy”, was finally recorded with a roster of Rhoda Dakar on vocals, Chris Dickie (of Gods Toys) on bass, Rob Hill on drums, Jerry on keyboards, and John on guitar. Sadly it never reached the pressing plant. “Greek Tragedy”, however, did get a live outing during the Rock Against Racism gig at the Butts stadium, in June ’81. The opening band that day were “Ship’s Crew” a hastily formed outfit of John’s creation. At about 1pm, the song was aired to just two people, as John recollects it...Jerry Dammers and John’s dad, Bob, who was attending one of his son’s gigs for the very first time. Ship’s Crew sailed out that day, and capsized on their maiden voyage."
"Chris became an engineer and has worked with the likes of Depeche Mode, The Pogues and Morrissey. He now lives in Australia." Pete Chambers.
Formed from the ashes of Tempus Fugit in about 1983
Sheer Pride consisted of Vincent Legg - lead vocals and guitar Mark Chase - bass and backing vocals John Gardonyi - drums and percussion Martin Keatman - keyboards and b vox Chris Beach - guitars and b vox
Released 3 singles Peace of mind. (See Youtube) 1983 Ghost Dance 1984 Say you're not Tired 1985
Recorded at Horizon studios, Rhythm Studios and Cabin Studios. The band were often described as a heavier Duran Duran and we're known for their flamboyant stage image and frequent guitar solos! !!!!!!
Worked with Paul Johnson and also Paul Samson (Editor's note - Not sure if they mean Paul Sampson - with a P - who was in the Reluctant Stereotypes and produced The Primitives or the other Coventry musician with no P in his name!)
Band split after final gig at Coventry Polytechnic in 1987 supporting Zigue Zigue Sputnik.
Pete Chambers from Godiva Rocks 2004 .....
"a real product of the 80's with King and Duran Duran overtones,played the General Wolfe loads of times. Virgin Dancer and Too late were two of their best songs.Mainman martin Keatman wrote books about Psychic Phenomena. They appeared on Paul Johnson's Rhythm Method compilation album with the track Peace of Mind. They also played Covaid."
Currently just a home studio band with a YouTube presence releasing updated versions of old Sheer Pride demo material.......cheers
This is the final video of Coventry's Sheer Pride. Their legacy to 80's music.
1965 - a group of 5 students from Higham Lane High School, Nuneaton. Do not think they played many venues. The original members included: John Allen, Mike Easey, Kevin Claridge, Robert Neville, Stephen Cotton, and Alan Cook.
c 2008 - Line included Brian Helicopter (bassist), Seymour Byebuss.
"Great Live band" Pete Chambers. Four track EP 1970's on the Sofa Label -
Tracks - Batman in the Launderette / Chatterbox / College Girls / What's For Lunch Mum.
Signed to Good Vibration Records and released single Disaster and album Songs for Sensible People.
Information from Godiva Rocks Pete Chambers.
"Its not yer 1234 punk more but a sound more akin to ATV but with humour. Never ones to take themselves seriously one of their last recordings was 'Jennifer Connifer' but that doesn't excuse naming a song Leamington (after Leamington Spa). If they don't make you smile then something's missing." From this site http://www.punk77.co.uk/groups/shapes.htm
Above - The Shapes @ The Crypt, Hastings 10/12/08. Wot's For Lunch Mum (Not Beans Again).
The Shapes at Bath Place Community Venture, Leamington Spa 6/12/08
Wot's For Lunch Mum From The E.P, From 1979
The Shapes – Songs For Sensible People.
Songs For Sensible People Label: Overground Records – OVER 81LP Format: Vinyl, LP, Compilation, Reissue Pays: UK
Tracklisting A1 (I Saw) Batman (In The Launderette) 00:00 A2 College Girls 02:37 A3 Alien Love 05:11 A4 Leamington 07:12 A5 Let's Go (To Planet Skaro) 09:39 A6 Bedtime Story 12:11 A7 Airline Disaster 13:59 B8 Wot's For Lunch Mum? (Not Beans Again!) 16:50 B9 Chatterbox 18:21 B10 Jennifer The Conifer 20:27 B11 My House Is A Satellite 23:14 B12 Business Calls 26:58 B13 Blastoff! 29:48 B14 The Last Laugh...
"SHADY DEAL were born in 1989 - 1996, when two workmates Steve Kavanagh and Troy Forest were discussing musical options that lay ahead. Pop deal put other bands in the shade; TROY FOREST is one musician who seems to have been playing forever - and is still going strong."
Steve Kavanagh (2004) "I was in Coventry bands 'Presage' (84-86)/'Fresh '(86) (early 'Out the Blue') which featured my fellow Presage bandmate Rob Arnall U.K warriors also 1986/ 'Monday's Child'(1989) which then became 'Shady Deal'(1989 - 1996) Cov's answer to Status Quo!!. the Dive(Lady Godiva), Colin Campbell, General Wolfe, Hand in Heart etc, as well as a few biker rallies. Previously known as Monday's Child (1989).Some ex members now play in Betty Swollocks."
Found a reference to a YouTube of Shady Deal -
Coventry band SHADY DEAL playing a cover of The Door's 'Roadhouse Blues' at The Rose Inn Coventry October 1993.
Line Up
Troy Forrest: Vocals / Harmonica Steve Kavanagh: guitar/ backing Vocals Tez Monoghan: Bass Guitar Eric Lee: Drums.
C1974 Reported in Hobo Coventry Music and Arts magazine -
"SHADES OF NIGHT - have split up." They were advertised in HOBO Magazine in 1974 as a Pop Band c/o Dave, 149, Princethorpe Way. Sax players Joe Reynolds and Mick Broadhurst of Willow were involved with this band I believe. Joe Reynolds guested with The Selecter on Three Minute Hero - the single and on Top of the Pops.
Shades of Night are 7th down in the Hobo issue 3 February 1974 small ads for bands.
As anyone who has heard Entheogen (pictured left) will know, this is more than evident. While their first EP, a three-track slab of intense and oceanic post-metal, seemed to lack ingenuity despite its high quality, their debut album is a great step forward - a step into the unknown. Earlier tracks were built on the traditional, and highly predictable quiet-LOUD-quiet structure on Entheogen there is a sense chaos, in volume, tempo and any other element you care to mention.
