Attrition
Attrition
This is their Bandcamp Site for album and track downloads
Source - Rex Brough
Martin Bowes - Vocals, Keyboards lots of other stuff
Julia Waller - Vocals
Ashley Waller -
Click here for an extended interview with Martin Bowes covering Alternative Sounds and Attrition
Trev Teasdel's Interview with Martin Bowes (2008)
ATTRITION OFFICIAL WEBSITES
https://attrition.co.uk/
https://attrition.co.uk/
https://www.thecagestudios.co.uk/
Singles
Fear/Devoid - 1982 / Monkey in a Bin - 1984 / Deliverance - 1984
The Voice of God - 1984 / Shrinkwrap/Pendulum - 1985 / Take Five - 1987
Haydn (remix) - 1988 / Haydn (the final session) - 1989 / Turn To Gold - 1989
Thin Red Line - 1991 / Something In My Eye - 1992 / Lip Sync - 1993
The Eternity ep - 1997 / Kissing a Virtual Angel - 1999 / Red letter/Kharb - 2000
Albums
Interview with Martin Bowes from Peace and Freedom 1988 http://www.booksmusicfilmstv.com/Music/attrition-interview-1988.html
Bio From Martin's Attrition Website
Beginnings https://en.wikipedia.org/wiki/Attrition_(band)
In 1979, Martin started a xeroxed fanzine called Alternative Sounds to document the Coventry music scene (including such notables as The Specials and Furious Apples). The fanzine ran for 18 issues until 1981, and culminated in a vinyl compilation, "Sent from Coventry" (on Cherry Red) and a brief appearance on the BBC's Something Else programme. During this time, Martin met Julia at a local gig and, with the addition of Martin's brother Chris on guitar, Attrition was formed. In 1980 Chris was replaced by Julia's brother Ashley Niblock on synthesizer, and a short time later they replaced their live drummer with a drum machine; these changes facilitated Attrition's development beyond the post-punk of the early 80s into more experimental veins of sound.
1980s
Influenced by punk's do-it-yourself aesthetic, Attrition took part in the emerging cassette culture, contributing multiple early tracks to underground cassette compilations and fanzines alongside contemporaries such as Portion Control, Konstruktivits, Chris & Cosey, The Legendary Pink Dots, Nurse with Wound, and Coil. Attrition's first album release came in the form of Death House, a cassette of two experimental electronic soundtracks inspired by zombie films. In 1983, Attrition received their first exposure in the national music press through a review by Dave Henderson in his "Wild Planet" column in Sounds, which led to their "Dreamsleep" track appearing on Henderson's compilation The Elephant Table Album, the band's first vinyl appearance. A postal collaboration via exchanges of 4-track recordings with Seattle-based improvisational collective Audio Leter led to Attrition's second cassette album release, Action and Reaction. Attrition's first London concert followed, with a supporting slot from Coil, and the first European tour in April 1984 with the Legendary Pink Dots.
The debut album The Attrition of Reason appeared on Third Mind Records in autumn of 1984. The next year, Julia left the band to join the Legendary Pink Dots, and Bowes returned with new band members Marianne, Alex Novak, and Pete Morris to release the second proper Attrition album, Smiling, at the Hypogonder Club, which was generally well received. The following year, however, this lineup dissolved and Bowes released In The Realm of the Hungry Ghosts, a collection of rarities, compilation tracks, and B-sides from the preceding few years. This was the last release on Third Mind. The band then switched to Belgium's Antler-Subway Records for the release of At the Fiftieth Gate in 1988, which saw the addition of guitarist Gary Cox.
1990s.
After a short hiatus, Bowes began work on music once more and Julia rejoined Attrition in 1990. A compilation of songs from previous releases was released by Projekt Records in the US, introducing Attrition to US audiences. "A Tricky Business" was released in 1991 on Italy's Contempo Records and marked a new era for the band. These US releases were complemented with European editions on German labels Hyperium and Trisol. The Hidden Agenda came out in 1993, followed by Ephemera in 1995, which mirrored the dark ambient nature of early album Death House.
1996 saw the release of 3 Arms And A Dead Cert, which showed an increased use of organic instruments, including the first use of live orchestral elements as provided by Franck Dematteis of the Paris Opera. This album also was the first proper release on Projekt, a relationship that would continue for many years and would see the release of a succession of albums during the '90s that saw progressed development of Attrition's signature sound. Also in 1996 the band toured the US for the first time, at the culmination of which Julia left the band once more. The following year, Bowes revisited various works from the past decade of Attrition music and recorded new classical string variations of the songs, releasing them as Etude. After heavy touring in the late 1990s, including a stop at Wave-Gotik-Treffen, Attrition released The Jeopardy Maze in 1999.
2000s.
Five years passed between The Jeopardy Maze and the next Attrition album, Dante's Kitchen, released in 2004. During the interim a remix album and a rarities album were put out and the entire back catalogue of Attrition was reissued on CD in Europe and the band focused on touring and playing live again. Attrition finally founded their own label, Two Gods, in 2006 and released Tearing Arms from Deities, a 25th anniversary collection of material spanning Attrition's career, and Something Stirs - The Beginning, a collection of many of their cassette compilation tracks from the early 1980s.Two Gods would serve as a vehicle for releasing remastered reissues of the entire Attrition back catalogue in the following years. It has also served as a label for releases from other bands, including Rossetti's Compass.
In June 2008, Attrition once more became a multi-member act with the addition of female vocalist Sin D'rella. Bowes and Sin then released the twelfth album proper for the band, All Mine Enemys Whispers - The Story of Mary Ann Cotton, a concept album built around the true story of a mid-19th century serial killer in England, the arresting officer of whom Bowes is a descendant. The album bears a marked departure from what has come to be seen as the signature Attrition sound, ditching prominent synthesizer base lines, percussion, and vocals for atmospheric, ambient, and found sounds. Guests on the album include Emilie Autumn, Erica Mulkey, and Bowes' own two children.[
2009 has seen the release of a live album, Kill the Buddha!, that celebrates 25 years of live touring, and Wrapped in the guise of my friend, an album of Attrition songs covered by other bands. In 2012, Martin worked with his wife Kerri on their first full-length movie score, Invocation. Martin taught music technology at City College in Coventry for many years and left in 2011 to work full-time on mastering and production for Attrition and other artists in his studio The Cage. In 2013, the band released, The Unraveller of Angels, which was followed in 2015 with Millions of the Mouthless Dead. The latter album Martin made with Anni Hogan (of Marc and the Mambas fame), which explored First World War poetry set to dark ambient scores, including a guest appearance from Wolfgang Flur (ex-Kraftwerk).
Musical influences and characteristics
Martin Bowes has cited a wide variety of influences on his music, including experimental rock, punk, post-punk, and industrial groups such as The Velvet Underground, Crass, the Sex Pistols, Magazine, Joy Division, and Cabaret Voltaire, early experimental electronic groups like Kraftwerk, classic rock'n'roll (Elvis), and even Beethoven.
In the early 1980s, Attrition was grouped into the post-punk movement, and as post-punk birthed subgenres and cross-pollinated with others, the band came to be seen as an early and influential part of the fledgling industrial and darkwave genres. Later on they would also gain a considerable following among the goth scene. By the early 1990s Bowes had become the primary member and songwriter and Attrition had developed its own distinctive electro-acoustic sound. This was based on Martin's deep growl, Julia's fretless bass work and breathy sub-operatic vocals, and a backline of electronic instrumentation, comprising analogue synthesizers (including a Korg Mono/Poly and Korg MS-20), sequencer (Roland MC-202), drum machine (Roland TR-808), and various effects units.
"At first, there wasn't the same sort of scene and we were in more of an 'industrial' thing. There was nothing like the clubs you get now, it was actually quite difficult to play anywhere that would appreciate you. It's a lot easier now, it's not just Goth, it's a mix - Darkwave or whatever. That's gotten stronger, so that has helped, but really, we were there before it was built."
In 2022 the original 80's ATTRITION line up of Martin Bowes, Ashley Niblock and Julia Waller reunited for the first time in 35 years, joined by long time member Simon Stansfield. They performed shows in the UK and are starting work on a new album together...2023 will see the release of the new album "The Black Maria" and shows all over the world. This was a chat at Martin's place where they had been rehearsing in The Cage... Thanks to John Waller for filming us! Music: "Behind Innocence, Lies" from their debut album, The Attrition of Reason (1984)
Singles
Fear/Devoid - 1982 / Monkey in a Bin - 1984 / Deliverance - 1984
The Voice of God - 1984 / Shrinkwrap/Pendulum - 1985 / Take Five - 1987
Haydn (remix) - 1988 / Haydn (the final session) - 1989 / Turn To Gold - 1989
Thin Red Line - 1991 / Something In My Eye - 1992 / Lip Sync - 1993
The Eternity ep - 1997 / Kissing a Virtual Angel - 1999 / Red letter/Kharb - 2000
Albums
Interview with Martin Bowes from Peace and Freedom 1988 http://www.booksmusicfilmstv.com/Music/attrition-interview-1988.html
Bio From Martin's Attrition Website
Beginnings https://en.wikipedia.org/wiki/Attrition_(band)
In 1979, Martin started a xeroxed fanzine called Alternative Sounds to document the Coventry music scene (including such notables as The Specials and Furious Apples). The fanzine ran for 18 issues until 1981, and culminated in a vinyl compilation, "Sent from Coventry" (on Cherry Red) and a brief appearance on the BBC's Something Else programme. During this time, Martin met Julia at a local gig and, with the addition of Martin's brother Chris on guitar, Attrition was formed. In 1980 Chris was replaced by Julia's brother Ashley Niblock on synthesizer, and a short time later they replaced their live drummer with a drum machine; these changes facilitated Attrition's development beyond the post-punk of the early 80s into more experimental veins of sound.
1980s
Influenced by punk's do-it-yourself aesthetic, Attrition took part in the emerging cassette culture, contributing multiple early tracks to underground cassette compilations and fanzines alongside contemporaries such as Portion Control, Konstruktivits, Chris & Cosey, The Legendary Pink Dots, Nurse with Wound, and Coil. Attrition's first album release came in the form of Death House, a cassette of two experimental electronic soundtracks inspired by zombie films. In 1983, Attrition received their first exposure in the national music press through a review by Dave Henderson in his "Wild Planet" column in Sounds, which led to their "Dreamsleep" track appearing on Henderson's compilation The Elephant Table Album, the band's first vinyl appearance. A postal collaboration via exchanges of 4-track recordings with Seattle-based improvisational collective Audio Leter led to Attrition's second cassette album release, Action and Reaction. Attrition's first London concert followed, with a supporting slot from Coil, and the first European tour in April 1984 with the Legendary Pink Dots.
The debut album The Attrition of Reason appeared on Third Mind Records in autumn of 1984. The next year, Julia left the band to join the Legendary Pink Dots, and Bowes returned with new band members Marianne, Alex Novak, and Pete Morris to release the second proper Attrition album, Smiling, at the Hypogonder Club, which was generally well received. The following year, however, this lineup dissolved and Bowes released In The Realm of the Hungry Ghosts, a collection of rarities, compilation tracks, and B-sides from the preceding few years. This was the last release on Third Mind. The band then switched to Belgium's Antler-Subway Records for the release of At the Fiftieth Gate in 1988, which saw the addition of guitarist Gary Cox.
1990s.
After a short hiatus, Bowes began work on music once more and Julia rejoined Attrition in 1990. A compilation of songs from previous releases was released by Projekt Records in the US, introducing Attrition to US audiences. "A Tricky Business" was released in 1991 on Italy's Contempo Records and marked a new era for the band. These US releases were complemented with European editions on German labels Hyperium and Trisol. The Hidden Agenda came out in 1993, followed by Ephemera in 1995, which mirrored the dark ambient nature of early album Death House.
1996 saw the release of 3 Arms And A Dead Cert, which showed an increased use of organic instruments, including the first use of live orchestral elements as provided by Franck Dematteis of the Paris Opera. This album also was the first proper release on Projekt, a relationship that would continue for many years and would see the release of a succession of albums during the '90s that saw progressed development of Attrition's signature sound. Also in 1996 the band toured the US for the first time, at the culmination of which Julia left the band once more. The following year, Bowes revisited various works from the past decade of Attrition music and recorded new classical string variations of the songs, releasing them as Etude. After heavy touring in the late 1990s, including a stop at Wave-Gotik-Treffen, Attrition released The Jeopardy Maze in 1999.
2000s.
Five years passed between The Jeopardy Maze and the next Attrition album, Dante's Kitchen, released in 2004. During the interim a remix album and a rarities album were put out and the entire back catalogue of Attrition was reissued on CD in Europe and the band focused on touring and playing live again. Attrition finally founded their own label, Two Gods, in 2006 and released Tearing Arms from Deities, a 25th anniversary collection of material spanning Attrition's career, and Something Stirs - The Beginning, a collection of many of their cassette compilation tracks from the early 1980s.Two Gods would serve as a vehicle for releasing remastered reissues of the entire Attrition back catalogue in the following years. It has also served as a label for releases from other bands, including Rossetti's Compass.
In June 2008, Attrition once more became a multi-member act with the addition of female vocalist Sin D'rella. Bowes and Sin then released the twelfth album proper for the band, All Mine Enemys Whispers - The Story of Mary Ann Cotton, a concept album built around the true story of a mid-19th century serial killer in England, the arresting officer of whom Bowes is a descendant. The album bears a marked departure from what has come to be seen as the signature Attrition sound, ditching prominent synthesizer base lines, percussion, and vocals for atmospheric, ambient, and found sounds. Guests on the album include Emilie Autumn, Erica Mulkey, and Bowes' own two children.[
2009 has seen the release of a live album, Kill the Buddha!, that celebrates 25 years of live touring, and Wrapped in the guise of my friend, an album of Attrition songs covered by other bands. In 2012, Martin worked with his wife Kerri on their first full-length movie score, Invocation. Martin taught music technology at City College in Coventry for many years and left in 2011 to work full-time on mastering and production for Attrition and other artists in his studio The Cage. In 2013, the band released, The Unraveller of Angels, which was followed in 2015 with Millions of the Mouthless Dead. The latter album Martin made with Anni Hogan (of Marc and the Mambas fame), which explored First World War poetry set to dark ambient scores, including a guest appearance from Wolfgang Flur (ex-Kraftwerk).
Musical influences and characteristics
Martin Bowes has cited a wide variety of influences on his music, including experimental rock, punk, post-punk, and industrial groups such as The Velvet Underground, Crass, the Sex Pistols, Magazine, Joy Division, and Cabaret Voltaire, early experimental electronic groups like Kraftwerk, classic rock'n'roll (Elvis), and even Beethoven.
In the early 1980s, Attrition was grouped into the post-punk movement, and as post-punk birthed subgenres and cross-pollinated with others, the band came to be seen as an early and influential part of the fledgling industrial and darkwave genres. Later on they would also gain a considerable following among the goth scene. By the early 1990s Bowes had become the primary member and songwriter and Attrition had developed its own distinctive electro-acoustic sound. This was based on Martin's deep growl, Julia's fretless bass work and breathy sub-operatic vocals, and a backline of electronic instrumentation, comprising analogue synthesizers (including a Korg Mono/Poly and Korg MS-20), sequencer (Roland MC-202), drum machine (Roland TR-808), and various effects units.
"At first, there wasn't the same sort of scene and we were in more of an 'industrial' thing. There was nothing like the clubs you get now, it was actually quite difficult to play anywhere that would appreciate you. It's a lot easier now, it's not just Goth, it's a mix - Darkwave or whatever. That's gotten stronger, so that has helped, but really, we were there before it was built."
BELOW - ATTRITION on YOU TUBE - A GIRL CALLED HARMONY
ATTRITION : One Horse Rider
In 2022 the original 80's ATTRITION line up of Martin Bowes, Ashley Niblock and Julia Waller reunited for the first time in 35 years, joined by long time member Simon Stansfield. They performed shows in the UK and are starting work on a new album together...2023 will see the release of the new album "The Black Maria" and shows all over the world. This was a chat at Martin's place where they had been rehearsing in The Cage... Thanks to John Waller for filming us! Music: "Behind Innocence, Lies" from their debut album, The Attrition of Reason (1984)
No comments:
Post a Comment