DR SLAGGS
CONFESSIONS
circa 1968 - 1969 Source Broadgate Gnome - Blues / rock
Paul
Kennelly tells us " Immediately after returning from the Scottish Tour ,
Paul Kennelly teamed up with Arthur Albrighton, Pete Davoile and Dek Wilson.
Primarily it was done to complete the outstanding Peppermint Kreem diary dates.
The whole thing was chaotic and there are no known images of the band " on
stage ". All that has survived is a couple of photographs of the Flat and
a poster/business card. This is a reconstruction of the band poster. There is
no known original left. The poster was commissioned by the band from Terry
Illingworth and replicated by Paul Kennelly using the following images, in
1987."
Arthur
" Modie " Albrighton with the Doctor Slagg's poster and Peppermint
Kreem poster, over the fireplace.
Printed by Illingworth , this card does not even have a phone number !
The "
sitting room " ........ 188 Barker Butts Lane Coventry. December 1968. A
wonderful mural reflecting the fashions of the day ! ... I guess it must be
Eric Clapton.
Pete Clemons article on Peppermint Kreem gives some of the background to this band.
Music with a Minty Flavour!
Pete Clemons
OF all Coventry bands I have read about or researched none, for me at least, is more fascinating than that of Peppermint Kreem.
The story is actually a trilogy which takes the group from its beat band beginnings in 1968 through to their conclusion in 1987 but not before they had recorded a rock opera. Paul Kennelly has meticulously kept extensive notes over the years and it is these that I have plundered to pull this article together.
The roots of Peppermint Kreem can be traced right back to previous incarnations of the band beginning with Makeshift from around 1967 and then The Plague who existed between December 1967 and April 1968.
The Plague was formed when Paul Kennelly put an advert in the Coventry Telegraph. Arthur 'Modie' Albrighton was first to answer it. "We were hungry for work and would take anything." said Paul. "It was a great way of learning the business and the band performed from The Benn Hall in Rugby to Harlaxton Manor in Lincolnshire."
The line-up of The Plague was Paul Kennelly (vocals), 'Modie' Albrighton (bass guitar), Brian Griffiths (drums), Ray Haywood (lead guitar) and Bob Hopkins (keyboards) and they played their first gig at The General Wolfe on Friday, December 8, 1967.
Brian Griffiths left The Plague on January 25, 1968 to be replaced by Tom Ryan on drums. Bob Hopkins then left the band during April '68.
At that point it was agreed to give the band a fresh start and a new name. Ray Haywood suggested Peppermint Creams to which Paul responded with a slight variation to Ray's original idea. And so on April 26, 1968, they appeared as a four-piece at The Heart of England Club, Meriden, as Peppermint Kreem.
As covered by an article and various photographs for a Coventry Standard piece during May 1968 they bought a 15-seater bus from the Enterprise Club for the Disabled in Avon Street for PS24 and 10 shillings. This was used to carry their equipment.
1968 saw the band just 'out there playing'. They were, not at that time, in to doing their own music. What they would do though was to rearrange numbers, speed them up/ slow them down and fill in with drum solo links. The band toured extensively and regularly appeared locally in venues such as The Navigation on the Stoney Stanton Road and The Walsgrave.
On July 13 Peppermint Kreem added keyboard player Dave Fairclough to the line-up. His first gig for them was on Saturday July 13, 1968 at the Hobmore Hotel, Yardley.
By late 1968, the band had been signed by Don Fardon, his own solo career had taken off, and Vince Martin, of Friars Promotions, stepped in as manager. A tour of Scotland, for impresario Albert Bonici, was booked for December which would take them as far north as Lossiemouth, Nairn, Aberdeen, Elgin and Arbroath.
But sadly, due to other commitments, only Paul and Dave were available. In order that the tour could go ahead, Paul and Dave hooked up with Glass Forest, a Welsh band who were based in Birmingham, the lineup being Paul on vocals, Dave on keyboards, Andre on guitar, Karl on bass and Byron on drums and the band performed as Peppermint Kreem.
And that was the end for this phase of Peppermint Kreem. Paul and Arthur ("Modie") formed a band with Pete Davoile (Peppermint Kreem 2 and Seagull) on drums and Dec Wilson on guitar. Appearing as Dr. Slagg's Confessions, they polished off the last few dates left in the old Peppermint Kreem diary. After that, they all went their separate ways, with Arthur replacing the bass player in New City Sounds, and Paul replacing Allen ("Sabu") Parsons in The Motion.
Within days of Paul joining, the Motion changed their name to Revolution, and then eventually became Natural Gass. The line-up over this period was: Paul Kennelly (vocals), Dave Sutton (lead guitar), Reg Galland (bass), Granville Barber (drums), Bob Hopkins (keyboards), Pete Smith (ex-New City Sounds) on bass and Martin Lucas on lead guitar.
That wasn't the end though for Peppermint Kreem. 1972 saw the band reform and they went onto to achieve many good things. The previous version of the band never got to record but this would all change with Peppermint Kreem mark 2. Paul admitted: "I had never got to write and perform my own material and it just seemed the right time. It wasn't originally conceived as an opera. I just began to work up song ideas. What began as separate songs became a string of pieces, linked together. This was influenced by our standard set that was composed of varied material all tied together making a non-stop presentation."
This time around Modie had switched to guitar with the rest of the band being Paul (vocals), Keith Jaynes (bass), Bob Hopkins (keyboards) and Pete Davoil (drums). "We recorded the opera at Bird sounds studio near Stratford-on-Avon and it was called Revelation 2001. Regrettably it was never released and I have no idea what became of the master tapes. We did play the whole thing live on carnival day at the War Memorial Park during July 1973. It was a fine summer's day and we were set to go on stage at 9.30pm.
"For the first 20 minutes we played our versions of non-stop standards, then, after a short break we presented Revelation 2001. We held a respectable sized crowd for the standards show but I was not sure how they would react to the opera.
"You have to appreciate that the public were not directly paying for our performance, and could have drifted away at any time, but they didn't, the melody, some of it haunting, held them spellbound." That was last time that Peppermint Kreem played live together. However, in 1987 three of the band got back together yet again. Known as Peppermint Kreem 3, Paul Kennelly, 'Modie' Albrighton and Bob Hopkins, set about re-recording Revelation 2001 at Time Machine Studios in Earlsdon.
Sadly though it was never fully completed and although CD copies got 'out there' it remained unmixed. It is just made up of keyboards, guitar and Paul's vocal. There are no drums or bass. Also, at Time Machine, Peppermint Kreem laid down keyboard and vocal tracks for another project called 'Atlantis'. Again, this was never completed and remains unreleased.
Although there are no plans to complete these works it is still something that at least some kind of legacy of this wonderful story exists. ........................................
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